DesignAmid Magazine featuring great design, architecture, fashion, graphics and innovation from across the globe.
Explore 745 award-winning designs tagged Graphic on DesignAmid Magazine.
Dou Gong Typeface reinterprets traditional Chinese timber construction as a typographic system. Inspired by mortise and tenon joinery, characters are formed through interlocking strokes that act as modular structural elements. The design expands into three dimensional and spatial applications, bridging architecture and typography. It introduces a method driven approach that transforms structural logic into a flexible and contemporary visual language.
Yuplet Branding is a corporate identity created for a marketplace of handmade and sustainable products. The system is centred on a crescent motif, applied consistently across the custom wordmark, iconography, illustrations and layouts. Vivid green marks the buyer experience, while rich purple guides sellers, giving each user group a clear visual signal. Rounded forms, bold contrast and mobile-first cues, drawn from research with younger consumers, extend the identity across digital and printed touchpoints. Digital assets were prepared in vector format.
The Wind Knows We Meet is an illustration series about encounters and companionship in contemporary urban life. Wind is used as a metaphor for meaningful encounters. The series applies dramatic perspective, reddish brown warm tones, and warm light and shadow to create an open and inclusive atmosphere. Wide city landscapes and lively groups of characters are drawn with digital painting software. The illustration series responds to social distance in the digital era and invites viewers to build emotional connections in real life.
Piggy Express is a brand character design created for a ride hailing service. The character develops the pig icon of the brand logo into a friendly travel companion. A high saturation color scheme increases visual visibility by 42 percent, and an independent silhouette keeps the character recognizable across all media. Animations guide users through tasks such as coupon redemption and route tracking. The character was refined through thirty rounds of shape iteration and tested with more than one hundred users in Chinese cities.
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Prepd is an innovative food delivery platform that transforms digital influencer recipes into professionally prepared meals. Its identity centers on a bold, modern aesthetic designed to disrupt the food tech space. Featuring a clever logotype with a negative space frying pan and a high contrast Green and Lime palette, the brand celebrates the link between creators and consumers. Through expressive, human-first photography and clean geometry, Prepd turns the act of scrolling into a tangible, high quality dining experience.
Villa Karuma is a brand identity created for a glamping retreat in Coatepec, Veracruz, Mexico. The name combines local Mayan words for sky and night. The wordmark uses a stylized uppercase serif typeface with fine and irregular strokes. Inside the letter U, a star and a wavy base represent the sky and the earth. Lithographic style illustrations show the cabins and the surrounding landscape. The color palette joins earth tones with golden yellow, blue, green and warm brown, and each tone recalls a moment of the day.
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This project is a rebranding initiative accompanying Roofarm's business expansion. The company has grown from urban rooftop agriculture and is now expanding into large scale rural farming alongside its urban operations. At this stage, the corporate vision was redefined as Reinventing Agriculture to Sustain the World's Food Supply. This vision was translated into a circuit inspired identity that expresses agriculture as infrastructure. The identity features two interconnected forms that symbolize the relationship between urban and rural systems.
Xiushan Lantern is a branding and illustration project based on the Xiu Shan Lantern Dance, a national intangible cultural heritage of southeastern Chongqing. The design extracts lantern shapes, folk patterns, traditional colors and dance movements, and then retells them in a simple modern visual language. The illustrations are drawn with vector software and applied to cultural products, including red envelopes printed on recyclable paper and other items made of acrylic. The aim is to bring the lantern culture into daily life and to support its continuity.
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Mei Tao Wan is a visual identity and wayfinding system for a cultural park on a historic ceramic site in Foshan, China. The design abstracts the structural lines of the Nanfeng Ancient Kiln district into a geometric skeleton. This skeleton forms a custom typeface of 26 letters and the numbers 0 to 9, together with geometric icons. The signage is made of high transparency acrylic and stainless steel with a black copper finish. Integrated LED lighting at the base keeps the text legible at night. The system links the history of the site with its new cultural function.
Adagio is a luxury bean to bar chocolate brand identity built around sustainable cultivation and ingredient origin. Hand drawn botanical illustrations and numeric timelines show how cacao, mint, and citrus develop over time, turning the visual system into a guide to farming practices and seasonal cycles. Gold foil details and refined typography convey craftsmanship and quality, while the modular three box format creates a coherent identity that connects flavor, brand experience, and the land behind each harvest.
This is an electronic music album with the theme of human and philosophy, mind and body. As the theme of this design, the visual combines classical aesthetics, philosophy and modern electronic music. The various natural elements are combined into a chaotic image, the classical style is boldly used, and then the realistic images are matched to create the final scheme.
Jiangnan Collection is a visual identity inspired by the water towns of southern China. The design reinterprets traditional architecture, rivers and everyday scenes through geometric composition and a modern color system. Cultural imagery is transformed into a scalable graphic system that adapts to lifestyle products such as silk scarves, paper cups, bookmarks and fridge magnets. The artwork was created with a digital illustration workflow and prepared in CMYK for accurate printing. The intent is to make regional heritage part of modern daily life.