Graphic

Explore 745 award-winning designs tagged Graphic on DesignAmid Magazine.

Designer: Kiyoka Yamazuki Work: Information Magazine Classification: Graphic

Bon Vivant

Bon Vivant is an information magazine distributed free of charge at credit union branches across Japan. Each bimonthly issue introduces local people, industries, regional products and tourist sites, connecting readers with the towns around them. The magazine measures 21 by 15 centimetres and contains about 15 pages. The cover illustration is hand drawn with brushes and acrylic paints on illustration board, using compasses, rulers and ruling pens, and is then refined in image editing software. Warm colours invite readers to take a copy home.

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Designer: Guanglong Chen Work: Font Design Classification: Graphic

Chinese Zodiac

The fusion of the twelve Chinese zodiac signs and the art of seal script. The twelve Chinese zodiac signs are Chinese culture. They are the zodiac signs of the year a person is born in. They have rich historical legends and image philosophy of cultural significance. Seal script is a style of ancient calligraphy fonts. The author combines historical culture, image philosophy, and seal script style into new graphic designs. They show not only graphic design, but also a manifestation of culture. The author wants to let the world know about China's history and culture through them.

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Designer: Qian Wenwen Work: Visual Identity Classification: Graphic

Henry Moore Exhibition

The visual design for the Henry Moore exhibition showcases a comprehensive approach, featuring traditional materials such as posters and tickets. Additionally, a unique collection of cultural and creative products has been designed exclusively for the exhibition. This collection includes children's pencils and drawing books inspired by Henry Moore's iconic sculptures. By transforming his sculptural works into engaging drawing books, the designs aim to spark creativity and imagination in children, making art more accessible and interactive for younger audiences.

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Designer: Benny Leung Work: Board Game Classification: Graphic

Client Vs Designers

Client Vs Designers is a board game for two players, inspired by the adversity between clients and designers. The design draws on the traditional game Animal Chess and adapts its structure into a playful format. Key job positions on each side are illustrated and given different rankings, so the two players can battle and overpower each other. Common points of frustration for each side act as traps. The playing pieces are transparent acrylic cut to shape and screenprinted with illustrations. The board is printed with metallic colors on paper that recalls the original game.

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Designer: Chen Zhao Work: Graphic Design Classification: Graphic

24 Solar Terms and Gods

24 Solar Terms and Gods is an illustration series that pairs each of the 24 Chinese solar terms with a traditional deity. The artworks draw on mythological figures from ancient Chinese classics and on petroglyph forms, using fine detail and a red and black palette. Each illustration measures 594 by 420 millimetres and is prepared for both print and digital display. A QR code in the lower right corner of each illustration links to a website with solar term explanations, deity stories and agricultural knowledge.

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Designer: Naser Nasiri Work: Music Festival Identity Classification: Graphic

Color Rhythms

The visual identity of the Abd Al Qadir Maraghi Music Festival bridges tradition and modernity. Inspired by the rhythmic patterns of historic brickwork in Maragheh's architecture, particularly the Red Dome, the design honors a millennium of heritage. Typography, influenced by Kufic inscriptions, reflects the region's legacy. Illustrations of musicians' hands playing traditional instruments emphasize the fusion of history and rhythm. The logo embodies cultural preservation while embracing a modern visual approach.

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Designer: Xu Tang Work: Graphics Design Classification: Graphic

Anthropology Chinese Textbook

This is a key textbook in American universities, covering research methods, human evolution, and cultural development. The cover blends the letter A with the Chinese character for human, featuring an ape's leg and a modern human's leg to symbolize evolution and East-West fusion. This minimalist design highlights humanity's journey from primitive to modern, emphasizing growth in self-awareness and cultural development.

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Designer: A4DH Branding Services Work: Beauty Lounge Classification: Graphic

Amores

Amores, a premium beauty lounge in Dubai, embodies elegance through a brand identity that merges modernity with cultural heritage. Designed to attract a diverse clientele, with a focus on noble Emirati women, its visual language draws from classic beauty industry elements like mirrors, combs, crowns, and scissors, reinterpreted in a vintage style. Inspired by Arabic architecture and Gulf region motifs like palm trees and gazelles, the identity conveys grace and tradition. An earthy color palette reflects the UAE landscapes, while a bespoke logotype enhances femininity across all touchpoints.

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Designer: Takuma Tahara Work: Key Visual Classification: Graphic

Sawamura Award 2024

Sawamura Award 2024 is a key visual created for a company event for new employees, held at a traditional Kabuki theatre in Kyoto, Japan. The theme of the event was tradition and innovation. The letters of the word KABUKU were drawn with varied typography, so each letter works as both a letter and an illustration. Traditional Japanese colours and patterns taken from the theatre were combined with a fresh colour scheme. The key visual was applied to certificates, invitations shaped like show tickets, seals and publicity, giving the event a unified look.

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Designer: Katsumi Tamura Work: Calendar Classification: Graphic

Typeface

Typeface is a calendar designed around the concept of the typeface. The set contains four sheets. The months from January to December are punched out in an original typeface. Each sheet can be assembled into a three-dimensional unit that displays three months of the year. Assembly is simple and needs no glue or scissors. The sheets are made of pure white cardboard, and the number of fastening points is kept to a minimum. Each sheet measures 140 by 185 millimeters. The calendar can also be displayed as part of a room interior.

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Designer: Shanghai Yichuang Information Technology Work: Typeface Classification: Graphic

ldeafonts Qingyili

Qingyili is a Chinese typeface based on the official script of the Han Dynasty and on the angular brushstrokes of Northern Dynasties tablet inscriptions. The typeface keeps the silkworm head and wild goose tail stroke forms of traditional calligraphy. Character forms are upright and solid, with slightly expanded inner spaces and uniform stroke thickness that support clear reading. Several weights are available, so the family suits headlines and body text in both print and digital media. The aim is to join calligraphic character with modern typographic function.

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Designer: Ronnie Chan Jinrong Work: Corporate Identity Classification: Graphic

Radiant Health

The visual identity for Radiant Health features a structured system that integrates clinical modernism with Asian symbolism. The design utilizes radiant sun motifs and bamboo forms, referencing holistic wellness and regional cultural themes. Distinctive use of custom typography, balanced color palettes, and modular layouts supports clarity, legibility, and adaptability across a range of applications. The resulting identity emphasizes patient-centered communication and flexibility, presenting healthcare environments with approachable and cohesive visual guidance at every point of interaction.

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