Graphic

Explore 745 award-winning designs tagged Graphic on DesignAmid Magazine.

Designer: Jansword Zhu Work: Wall Art and Identity Classification: Graphic

Lei Shing Hong Forest Food Court

Forest Food Court is a food court located in the office building designed by Famous Japanese architect Kuma Kengo in Beijing. The core concept of the architecture is “Forest in the city.” The branding and the 6m*150m huge wall art emerged from the concept. Delightful graphics and loosing strokes bring a relax, organic yet urban flow through the serious office building. The sub-abstract illustration balanced the atmosphere of the office and avoid of been too childish or cute.

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Designer: Lia Jiyun Kim Work: Corporate Identity Classification: Graphic

Rsvp

Rsvp is an online platform for virtual events during the pandemic, with an invitation-only system for security. The logomark symbolizes inclusivity and connectedness, while the design fosters engagement and community. Rsvp addresses the need for virtual event planning, improving relationships and promoting togetherness during these challenging times. The unique properties of the Rsvp platform include its invite-only system, which safeguards participants against imposters online.

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Designer: Yang Yuanyuan Work: Brand Identity Classification: Graphic

Q Sky

Q Sky Pilates is a brand identity created for a Pilates studio. The letter Q is drawn as a bird flying freely in the sky, linking the studio name to a feeling of lightness, freedom and relaxation. The single letter works as an independent graphic, and the same letter stays consistent with the type used for the full brand name. The identity is applied to space signage, sportswear, water cups and membership cards, produced with digital printing, silk screen printing and embroidery. Colour accuracy on each material was carefully controlled.

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Designer: Pedro Panetto Work: Poster Classification: Graphic

Rare Proportions

Rare Proportions is a series of posters about Brazilian nature. Each poster applies the Golden Ratio, a proportion of 1.618 found in nature, to create guides, hierarchy and illustrated elements. The animals are drawn with a geometry based on the same ratio. The colors reflect the diversity of Brazilian fauna and flora. All posters follow one conceptual line, yet each poster has its own expression. The series was created in Brazil. The aim is to show the rarity and beauty of nature and to support its preservation.

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Designer: Yu Chen Work: Anti-poverty Social Design Classification: Graphic

Let Parents Stay

Let Parents Stay is a typeface based on traditional Han Embroidery, created to support a poverty-stricken village. Jinling Village is home to more than two thousand children left behind by working parents, and many residents are skilled in Han Embroidery. Local embroidery products sold poorly because the patterns had changed little for a hundred years. Classic embroidery elements were abstracted and reconstructed into modern letterforms, which local embroiderers stitch by hand. The aim is to create income and to pass the craft on in a modern visual language.

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Designer: Baoquan Luo Work: Visual Communication Design Classification: Graphic

FM993 30th

FM993 30th is an anniversary logo created for the 30th anniversary of 993 Music FM of Guangdong Radio and Television. The radio signal is used as the main visual element, and the numerals 993 and 30 are integrated into the radio pattern through positive and negative shapes. The composition draws on sound waves, meteor showers, staves and radial fireworks. The logo is mainly made of metal, and acrylic can also be used. The mark is clear when seen from the front, and appears as a semi-circular, multi-layered relief when seen from the side.

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Designer: Plus X Work: Brand eXperience Design Classification: Graphic

EP

Episode is a brand identity and brand experience design for a shared residential platform. The design is user-centered rather than supplier-centered, and it gives priority to communication with residents. The square in the Episode logo stands for a space that holds diverse stories. Logos, colors, typefaces and key visuals are applied across online and offline touchpoints, including resident cards and room numbers. The system is flexible rather than fixed, so each resident can complete the design with a personal story.

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Designer: Mingjun Jiang Work: Charity Project Identity Classification: Graphic

Flowering Street

Flowering Street is a charity brand identity created to support homeless people in London. The brand lets homeless sellers earn an income by selling flowers at ordinary market prices, instead of relying on donations. The logo shape is inspired by street signs in London, a reference to the term street friends used among people who sleep outdoors. Each bunch of flowers is wrapped in collected old newspapers, tied with natural hemp rope and given a thank you card. Recyclable natural materials keep packaging costs low, so more sellers can be supported.

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Designer: Andrey Prokopenko Work: Illustration Classification: Graphic

ProArt

ProArt is a series of digital illustrations of natural landscapes. Mountains, waterfalls and forests are depicted in a consistent style. Each image is framed like a view through a window or a keyhole. A bright sun or moon sits at the center and sets the dominant color. Negative space is used to give each scene more depth. The illustrations capture a still moment, allowing viewers to study the details and sense the atmosphere. Created with digital software, the vector artwork can be scaled without loss of quality and used for prints, posters and covers.

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Designer: Shandong Industrial Design Institute Work: Key Visual Classification: Graphic

2020 WIDC

2020 WIDC is the key visual created for the World Industrial Design Conference 2020. The design combines three letter I forms taken from the initials of the conference theme: idea, intelligence and industrial Internet. The three primary colours, red, green and blue, are used as the main colours. Many small I shapes merge and flow into the distance like a stream of particles. The composition extends outward from the central WIDC mark to suggest movement towards the future. The key visual measures 20 metres in width and 8 metres in height.

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Designer: Shinji Arashigawa Work: Corporate Identity Classification: Graphic

Hiroshima Terrace

The Hiroshima Terrace is a visual consisting only of a diamond pattern. The reason why it uses the carp shape is that Hiroshima has long been called the city of water and that it was also called the city of carp because carp lived there. Therefore, by superimposing the image of the Japanese carp and Mitsubishi colour, Hiroshima and Mitsubishi are represented.

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Designer: Felice Della Gatta Work: Brand Identity Redesign Classification: Graphic

Traackr

Traackr is a brand identity redesign for an influencer marketing software platform. The identity combines soft shapes, bold and accessible typography, and a vibrant color palette to represent people, communities, influence, and data. Four primary colors are used, and each color is linked to a theme: business, people, technology, and passion. Using one color as dominant creates varied compositions while the brand remains recognizable. The work includes a new logo, a brand style guide, print and digital materials, and a website redesign.

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