Graphic

Explore 745 award-winning designs tagged Graphic on DesignAmid Magazine.

Designer: Coreintive Work: Corporate Identity Classification: Graphic

Coreintive

Coreintive is a corporate identity design created for a design agency. The name is an abbreviation of Core in Creative. In the wordmark, the last letter E is mirrored and joined with the first letter C to form a bracket shape. A circle is placed inside the bracket to represent the core that is contained. The circle refers to values such as possibility, uniqueness, scalability and integration. The identity is built on three motif languages based on the letters C, O and E. The project was completed in the Republic of Korea.

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Designer: Geissert Thomas Work: Wayfinding System Classification: Graphic

Airport Bremen

A high-contrast modern design and a clear information Hirarchie distinguishes the new system. The orientation system works fast and will make a positive contribution to the quality of service afford the airport. The most important means next to the use of a new font, a distinctive arrow element the introduction of different, high-contrast colors. It was particularly on functional and psychological aspects, such as good visibility, readability and barrier-free information recording. New aluminium cases with contemporary, optimized LED illumination are used. Signage towers were added.

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Designer: Hsiao Yun Tseng Work: Illustration Classification: Graphic

Lucky Tiger Welcomes New Year

Lucky Tiger Welcomes New Year combines zodiac signs with traditional Chinese paper-cut elements, making the design look like looking out from a window frame, while auspicious animals roll gold coins outside, as if bringing wealth. The overall use of spring-like colors, abandoning the traditional red color, and adding a lot of flowers and plants, because the pronunciation of flowers and fortune is similar (in Chinese-speaking areas), it seems that this year has good luck for fortune.

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Designer: YuJin Jung Work: Infographic With Animated Gif Classification: Graphic

All In One Experience Consumption

The "All In One Experience Consumption" project is a Big Data Infographic showing information such as the purpose, type, and consumption of visitors to complex shopping malls. The main contents are composed of three representative Insights derived from the analysis of the Big Data, and they are arranged from top to bottom according to the order of importance. The graphics are done using isometric techniques and are grouped into using the representative color of each subject.

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Designer: Spiros Gizas Work: Corporate Brand Identity Classification: Graphic

Lumedica

Lumedica is a corporate brand identity created for a diagnostic company. The identity is built around a classic typeface and a graphic sequence logo, a form used in bioinformatics to show the conservation and the diversity of DNA and RNA sequences. The logo is placed as the focal point of the design. Color, typography, shapes, images and white space are combined to express the character of the brand. The identity is applied to the envelope, letterhead, result folders, diary, brochures, bag, cards, flyers and calendar.

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Designer: Ricardo da Silva Work: Brand Identity Classification: Graphic

Smartmoov

The key benefits of this business model are mobility and business customization. The entrepreneur can adapt his business to a more flexible and mobile solution, thus enhancing the reach of his business in the market. The brand portrays these values in a dynamic and futuristic way through a consistent visual system, which is meant to inspire the target audience.

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Designer: Yu Chen Work: Brand Promotion Classification: Graphic

Project Yellow

Project Yellow is a comprehensive art Project that constructs the visual concept of Everything is Yellow. According to the key vision, large outdoor displays will be made in various cities, and a series of cultural and creative derivatives will be produced at the same time. As a visual IP, Project Yellow has a compelling visual image and energetic color scheme to form a unified key vision, which makes people unforgettable. Suitable for large-scale online and offline promotion, and the output of visual derivatives, it is a unique design project.

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Designer: YU ZHUANG Work: Poster Classification: Graphic

Wood and Tree

Wood and Tree is a poster created for an architecture seminar held in Tokyo, Japan. The seminar theme is the new use of wood, a classic material, in modern architecture. The poster uses a modern graphic language to simulate a classic drawing of tree rings. Lines of varied number, thickness, curvature and color were tested to form the pattern. The result is mathematical in structure, yet natural beauty remains. The poster measures 210 by 297 millimeters. It was displayed at an entrance, where visitors could take small flyers.

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Designer: Wei Sun Work: Brand Identity Classification: Graphic

Flycat

Flycat is a brand focusing on oral medical technology. The new brand upgrade will break the original stereotype and break through the imagination of the future. The new logo presents a sense of modern technology with simple and clear lines, rebuilds the brand visual system with diversified extension forms, and reshapes the brand vitality. By building brand IP, effectively establish brand association and brand recognition, endow the brand with humanity, and enhance the core competitiveness of the brand.

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Designer: Paul Robb Work: Typeface Design Classification: Graphic

Monk Font

Monk seeks a balance between the openness and legibility of humanist sans serifs and a more regularized character of the square sans serif. Although originally designed as a Latin typeface it was decided early on that it needed a wider dialogue to include an Arabic version. Both Latin and Arabic design us the same rationale and the idea of shared geometry. The strength of the parallel design process allows the two languages to have balanced harmony and grace. Both Arabic and Latin work seamlessly together having shared counters, stem thickness, and curved forms.

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Designer: Wang Zhiqi Work: Corporate Identity Classification: Graphic

C'YiShu

C'YiShu is a corporate identity created for a studio that combines architectural interior design with piano education. The identity is built around a custom symbol that joins Chinese characters with spatial form. Auxiliary graphics represent the business areas of the studio, which include design, piano, coffee, and furniture. The symbol works as a complete visual system rather than a single logo. Applications include notebooks, business cards, envelopes, cloth bags, and brooches, made with silver printing, white hot stamping, specialty paper, and metal laser cutting.

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Designer: Salvita Bingelyte Work: Visual Identity Classification: Graphic

Nu Us Supplement

Nu Us is a visual identity for a vitamin supplement brand. The logotype combines four upper case letters into one cohesive image. The letters use a thin and even typeface with sharp edges and consistent spacing, which keeps the mark clear and easy to read. The supplement is sold as day and night capsules. Morning capsules are placed in a white bottle and night capsules in a black bottle. Simple sun and moon shapes in bright yellow mark the difference. The minimal design is applied to labels, business cards and shopping bags.

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