Graphic

Explore 745 award-winning designs tagged Graphic on DesignAmid Magazine.

Designer: VISANG Work: Reading and Study Supplies Classification: Graphic

Viskit

Viskit is a study and reading kit designed for students. The kit contains reading stands, pens, notebooks, reading lists and other supplies that help students organize their reading activities in a systematic way. The items are illustrated with biscuit characters in chocolate, strawberry, green tea and cheese versions, giving the kit a familiar and friendly look. Plastic packaging is removed from all Viskit products. A reusable plastic folder holds the supplies and school handouts. The shipping box also serves as the product box, which reduces waste.

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Designer: Guangzhou Cheung Ying Design Co., Ltd. Work: Corporate Identity Classification: Graphic

Rely on Hydrogen

Rely on Hydrogen is a corporate identity created for a company that develops hydrogen water health care products. The logo is built from Chinese characters, inspired by the circuit lines of the product and by traditional Chinese water hexagram graphics. The thickness of the characters and the inclination of the strokes are unified, so the forms stay clear and balanced. Sloping lines and rounded corners give the identity a calm and modern character. Extreme gray and bright yellow are the main colors. The identity is drawn in vector format for print, digital media and interior spaces.

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Designer: sxdesign Work: Brand Design Classification: Graphic

Jing Yin Li

Jing Yin Li is a brand identity designed for a clothes cleaning and care brand in the Chinese market. The logo is built from simple geometric shapes, squares and quarter circles, arranged in four rows. Three of the rows form the letters J, Y and L, the initials of the brand name. The shapes are aligned in a steady and symmetric layout to suggest reliability and firmness. The brand color is balanced between red and purple and refers to traditional Chinese porcelain and red sandalwood furniture. The logo stays legible at a minimum size of 6 by 12 millimeters.

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Designer: Iman Alemozaffar Work: Brand Design Classification: Graphic

Lenza Lenzy Branding

Lenza Lenzy is a brand design and visual identity program created for a clothes clinic, a service dedicated to the care and repair of garments. The identity was built in layered stages, beginning with the brand name and the brand story and continuing through a brand book, a logo guideline, a visual identity book, interior decoration, motion graphics and advertising. Paper, fabric, wood, stickers, offset printing and digital printing were used. Research into the way clinics operate guided the core idea, because no comparable clothes clinic existed before.

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Designer: eun jee Kim, ji young Kwon, jung beom Park Work: Graphics Design Classification: Graphic

Part Timers Dignity

Part Timers Dignity is a mobile application design for part time workers and store owners in Korea. The application places a page for part time workers and a page for store owners in one system. Part time workers can calculate hourly wages, check contracts and review bank account details. Individual and group chats support requests for shift replacements and urgent scheduling. A chatbot explains relevant laws and procedures when an unfair situation occurs. The design was developed from surveys and promotes courtesy, responsibility and respect at work.

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Designer: Yana Okoliyska Work: Brand Identity Classification: Graphic

Joy of Playing

Joy of Playing is a brand identity created for Balin, a company that makes toys for children. The identity covers the logo, branding assets, packaging and the colors and shapes of the toys and characters. The visual language is minimalist, with simple shapes, a reduced color palette and watercolor illustrations. Each toy character has a name and a story, which helps children form an emotional connection. Selected materials include wood, plywood, paper, organic cotton and water and plant based paints.

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Designer: Tanya Dunaeva Work: Identity of Family Festival Classification: Graphic

Art Stroyka Fest

The festival's corporate identity is based on the signal markings used during construction work. Its main colors: red, yellow and green correspond to the corporate colors of the three residential complexes that housed the festival. The lines of construction markings are applied to an art easel, a symbol of creativity, combining both the theme of construction and the theme of art in one image.

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Designer: Yang Yunjia Work: Illustration Classification: Graphic

Precious Lives

Precious Lives is a series of public service posters about the protection of marine life. Thin red rope is used to outline the forms of a sea turtle, a jellyfish and a whale. The rope binds and suspends each creature to show that marine animals are endangered by waste thrown into the ocean. The illustrations are drawn with vector design software and produced with high level printing technology. Each printed sheet measures 800 millimeters by 800 millimeters. The exaggerated imagery is intended to draw public attention to marine ecology.

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Designer: Eidetic Marketing Work: Brand Identity Classification: Graphic

Pentaheal Clinic Rebranding

Pentaheal Clinic Rebranding is a brand identity created for a Korean medical clinic specializing in functional medicine. The main motif of the identity is extension. The universal medical symbol of the cross is used as a simple visual language that patients from many countries can recognize. The symbol combines the cross with the letters P and H, the abbreviation of the clinic name. The axis of the symbol extends in both directions, so the mark suits application items of various shapes and sizes. Signage was designed for each floor of the clinic in Seoul.

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Designer: Noriaki Mori Work: Disaster Prevention Pictogram Classification: Graphic

Integration

This pictogram is an integrated display of the information required in the event of a tsunami disaster. Anyone can check the hazard map of the area by reading the QR code displayed with the tsunami arrival wave height display on a smartphone. At first glance, one action by smartphone realizes a mechanism to promote the next action. The idea is based on actual experiences such as earthquakes and tsunamis caused by it, and is based on the unique idea of Japan, which can be said to be a disaster-prone country. They propose a globally unified pictogram that was unlikely before.

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Designer: Jialiang Jing Work: Experimental Font Design Classification: Graphic

The Engravings on Mount Yi

The Engravings on Mount Yi is an experimental typeface design based on the ancient stone inscriptions of Mount Yi. The inscriptions record a standard small seal script used after the writing system of ancient China was unified. The project includes letterform standardization, information visualization, poster design and an augmented reality experience. The work is presented mainly as a website, with printed posters and three-dimensional models. Scanning a code on a poster shows a three-dimensional model of a character. The aim is to present traditional Chinese script in a new and clear way.

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Designer: Botond Vörös Work: Graphic Design Classification: Graphic

Budapest Giftbook

Budapest Giftbook is a flipbook that presents Budapest, Hungary, through a series of illustrations. Flicking the pages rapidly creates the illusion of continuous movement, so the book works as both a printed object and a short film. Each illustration can also be viewed on its own. The book has 360 pages and measures 146 by 107 millimetres. The crest on the cover is produced with silver foil printing. The result is a souvenir, a source of inspiration and a compact guide to the city.

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