Graphic

Explore 745 award-winning designs tagged Graphic on DesignAmid Magazine.

Designer: Mengyao GUO Work: Editorial Illustration Classification: Graphic

Girls with Chess

Girls with Chess is an editorial illustration created for articles and campaigns about gender equality. The artwork shows two girls playing a game of chess. One girl topples the King piece while the other watches. The toppled King represents the dismantling of patriarchal norms. Two contrasting colors, orange and blue, are used to explore binary identities and to suggest different situational states. The illustration was produced as a high-resolution digital image, so the work can be shared online and printed at flexible sizes.

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Designer: Daniel da Hora Work: Corporate Identity Classification: Graphic

Winghook Branding System

Winghook Branding System is the corporate identity created for Winghook, a Swedish product that holds art pieces on the wall in a fast, clean and safe way. The logo is based on the geometry, precision and clean design of the product. The same geometry is repeated as a pattern applied to stationery and packaging, so the brand can be used at many sizes. Business cards are printed in two colours on 300 gram textured paper. The packaging range includes a kraft box, a gift box and a small pack. The system supports sales in retail stores and online.

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Designer: Hsiao-Wen Hu Work: Poster Classification: Graphic

Support Local Music

This poster is a self-initiated project to support the creative industry as well as the designer's fellow musician friends. The poster is inspired by various classical instruments, integrating the instruments and the type into a playful musical scene. This poster is planned to be printed in Lino Print and distributed around New York City. This poster was inspired by the letter form of the typeface Bio Rhyme Expanded.

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Designer: Yu Chen Work: Visual Diary Classification: Graphic

Wuhan Diary

Wuhan Diary is a visual diary about daily life in Wuhan during the pandemic. The project uses programming to build terrain-based visual languages from collected public opinions and confirmed case data. Colour and the density of rolling mountain forms express the social environment and the changing mood of each period. A three-dimensional earth shape was built from parameterised data in Unity. Wuhan Diary is presented as a poster of 420 by 594 millimetres, together with motion graphics, augmented reality and interactive projection.

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Designer: Anja Zambelli Colak Work: Branding Classification: Graphic

Quix

Quix is a brand identity for self-service vending machines that offer hot and cold drinks and snacks. The identity uses colors, textures and forms drawn from Italian culture, paying homage to the golden age of Italian design. A slightly vintage appeal recalls the Dolce Vita years and evokes Italian coffee culture. Coffee cups and posters are printed in CMYK colors with offset technology, while the vending machines are branded with printed foils. The design turns a quick coffee break into a calm visual experience.

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Designer: Dennis Furniss Work: Identity System Classification: Graphic

PepsiCo Foundation

PepsiCo Foundation is an identity system created for a nonprofit organization that supports communities in Mexico and Latin America. The design replaces a corporate visual language with a more human one. Archetypal shapes represent the three main pillars of the foundation. In a modular system, these shapes combine and multiply to form patterns and textures. A geometric typeface, a vibrant color palette, a photography style and an illustration style complete the identity. The system is applied to a digital brand book and to event materials such as shirts, bags and hats.

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Designer: Guangzhou Cheung Ying Design Co., Ltd. Work: Corporate Identity Classification: Graphic

Hocan Healthy

Hocan Healthy is a corporate identity created for a brand of hydrogen and oxygen health technology products. The logo reduces the hydrogen molecule to a simple circle. Positive and negative shapes show the change between water and hydrogen, and express the field of the brand. Technology blue is used as the main color, combined with three-dimensional modeling. The logo can move between two-dimensional and three-dimensional forms across different materials and processes while remaining recognizable. The visual system is built in vector format for printed and digital media.

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Designer: Lara Wilkin Work: Social Graphic Classification: Graphic

Against Suicide

Against Suicide is a social awareness poster created to address the taboo around depression and suicidal thoughts. A large vector illustration shows a chain reaction of small triggers and the phases of a suicidal process, together with possible forms of support. The poster is intended for public places such as squares and transport stops, where viewers have time to study the many details. The quiet design aims to help affected people feel understood and to lower the reluctance to seek help. Production is possible as a large poster, a flyer or a newspaper print.

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Designer: Gonzalo Alatorre Work: Logo and Applications Classification: Graphic

BTY Brand Identity

BTY Brand Identity is a logo and applications program created for BTY Group. The logomark is an analytical and mathematical interpretation of the moment a gennaker sail is deployed. The design also refers to the disruption that the gennaker sail brought to sailboat racing. The mark represents a future in which people lead technology. Over 300 pencil sketches preceded refinement in digital media until the intended geometry was reached. Black is the main colour, supported by bright colours. The black and white form allows easy reproduction on many substrates.

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Designer: JUYOUNG HWANG Work: Poster Classification: Graphic

Using Stuff

The Using Stuff project reconstructed the movie poster using various types of objects. Artworks are inspired by the original form and function of the object as well as the signature of each movie. The objects used were made with easy to find items anytime, anywhere. The project's theme covers societal issues that are currently in question (Russian-Ukraine war, Covid-19, etc.). It is designed to be easily accessible to viewers by associating themes with famous films such as James Bond. Each work is made up of vivid colors and simple backgrounds, allowing viewers to focus more on the subject.

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Designer: Mengyi Xie Work: Branding Classification: Graphic

Stories of Communication

Stories of Communication is a visual identity design created for the fifteenth anniversary of a university school of communication. The main logo is a geometric graphic based on the numeral 15. From the main logo, a family of 100 sub-logos was developed. Each sub-logo presents one story, invention or initiative from the history of communication, from knotted strings used in prehistoric times to the first newspaper and the world wide web. Arranged in chronological order, the sub-logos are applied to posters, invitations, pamphlets, venue displays and souvenirs.

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Designer: Maksim Zinchuk Work: Brand Identity Classification: Graphic

Transam Carriers

Transam Carriers is a brand identity created for a transportation and logistics provider based in Toronto, Canada. The identity is built around the Zubr, or European Bison, an animal from Eastern Europe that symbolizes uniqueness and power. The head of the animal is fitted into a triangle, and a slanted custom font gives the logo a dynamic look. Yellow and black are the two primary colors. The style is applied to corporate trucks, the website, social media, stationery, advertising and promotional products. Yellow triangles in the graphics make the brand recognizable within the industry.

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