Graphic

Explore 745 award-winning designs tagged Graphic on DesignAmid Magazine.

Designer: Yuta Takahashi Work: Skincare Brand Classification: Graphic

To Beauty

To Beauty is a skincare brand identity and packaging design inspired by the cosmos and by meditative experience. The identity uses a gray color palette and an organic symbol that expresses the pulse of life. The facial cleanser has a specially structured screw nozzle that releases dense foam with a single push, which keeps its elasticity and reduces skin irritation from friction. The eyelash serum uses an airless container that is hygienic and free of preservatives. The caps join a hard exterior and a soft interior, with a grained surface and an engraved symbol.

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Designer: Roozbeh Mashhadi Zadeh Work: Visual Identity Design Classification: Graphic

Altavita

The Altavita Visual Branding project employs an isometric geometric form inspired by architectural drawings to symbolize transition and invitation. The design reflects architectural depth while maintaining clarity and simplicity. A vertical composition emphasizes balance and proportion, while the red, black and gray palette communicates strength, precision and neutrality. The identity extends to stationery, packaging and digital media, ensuring consistency across applications and delivering a timeless professional presence with minimal expression.

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Designer: Deborah Avila Work: Branding Classification: Graphic

Black Beans

When two award winning Marketing Agencies decided to merge into one, Black Beans was created to join forces in delivering the best digital marketing in Sao Paulo. The challenge was creating an identity matching a premium, elegant, modern logo that depicts its elevated position in the digital market. The logo approval came directly from the agency directors, putting the brand into use immediately.

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Designer: Kasun Wadumestri Work: Poster Classification: Graphic

Peace Hunter

This is a series of posters showing the importance of maintaining peace and doesn't point fingers at any race, religion, country, or person. It's a message that conveys the harm caused by a breach of peace and shows that the other side will take advantage of it. Some parties are scattered all over the world waiting to take advantage of a breakdown in the peace of anywhere in the world. Where he lives, is a country that gained release after 30 years of war. Ending a war is difficult, so he believes that it is so vital to identify the chances that war can happen and take measures to prevent it.

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Designer: Cansu Dagbagli Ferreira Work: Branding Classification: Graphic

Dreavita

Dreavita is a progressive and inclusive wellness brand. Visual identity was intended to be sensitive, respectful and considerate, reflecting the brand's inclusive character. The concept was born from the idea of strong nature and it's called Simplicity inspired resilience. As the patterns of nature hints to consistency, strength and growth, the branding aims to pass these messages through affirmations and minimal design approach. Illustrations are focused on the patterns of nature, demonstrating the repetition and the resilience result in success in life.

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Designer: Zhiwen Tang Work: Self Promotion Classification: Graphic

Lunar Dinosaur Fantasy World

Lunar Dinosaur Fantasy World combines art and science in illustrations where dinosaurs inhabit the moon. Rooted in detailed paleontological and astronomical research, it presents a realm that blends the familiar with the fantastical. Designed to spark curiosity in young minds, this project merges educational content with creative storytelling, showcasing a captivating visual narrative that explores the ancient and the extraterrestrial. It stands as a powerful example of design’s role in enriching education.

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Designer: Favie Chiu Work: Design System Classification: Graphic

FNE Film Festival

Inspired by the profound narratives within Miranda July's films, the Forever Never and Ever Film Festival is a conceptual and unpublished festival presenting a curated collection of her work, encapsulating her distinctive cinematic perspective. Drawing from July's narrative richness, the design seamlessly integrates eccentricity and nuanced melancholy, complemented by vibrant colors. Reflecting July's thematic exploration of transformation, the festival celebrates the diverse tapestry of life experiences.

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Designer: VISANG Work: Interactive Textbook Classification: Graphic

I Really Like Math

I Really Like Math is an interactive mathematics textbook for school students. The textbook presents mathematical concepts through infographics to support clear reading and focus. Students can insert film or attach magnets to the pages and learn principles through direct handling. The cover is designed to be operated by students. The binding allows learning materials to be reconfigured for different curricula and additional materials to be stored. The page layout follows user experience research, with the line of sight, colors and images applied in a systematic way.

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Designer: Chihiro Otsuki Work: Poster Classification: Graphic

Darkness and Light

Darkness and Light is a poster created for an exhibition on Japanese classical literature. The poster combines lacquer art and oil painting, nature and humanity, classic and modern styles. Typography links the works of two artists with classical texts held by the research institute. The printed sheet measures 515 by 728 millimetres and is produced by UV offset printing with vegetable ink on paper certified by the Forest Stewardship Council. The design shows how classical culture and books shape artistic expression today.

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Designer: Mengyao GUO Work: Exhibition Display Classification: Graphic

Figure Portrait

Figure Portrait is a series of portrait illustrations created for a public exhibition. The series brings together faces from different eras and public personas, inviting reflection on life and time. Each portrait tells a separate story, and together the portraits describe a shared human experience. The illustrations began as hand-drawn sketches, which were then digitized with Procreate. Shading, layering and color blending were used to render textures and a wide range of emotions. The digital files can be adjusted to any size.

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Designer: Zhou Haiwen, Che Shilong and Guo Cheng Work: Cultural Program Classification: Graphic

China in the Classics

China in the Classics is a promotional graphic design created for a television program about ancient Chinese classics. Books form the main subject of the design. Ancient books of the East and the West are referenced, including Chinese bamboo slips, thread-bound books, parchment scrolls and hardcover books. These forms are deconstructed and reorganized into simple visual symbols. The titles of ten classics are combined with Chinese calligraphy. The gift box uses special tactile paper. The design helps people of different cultural backgrounds understand Chinese books and stories.

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Designer: TANG-HSUAN LIEN Work: Visual Image Design Exhibition Classification: Graphic

End-Point Start-Point

End Point Start Point is a graphic design exhibition. The exhibition explores the sense of emptiness that can follow the completion of a design project. Design is presented as a cyclical process, in which each end point becomes a new starting point for reflection and further work. The visual system is applied to posters, direct mail, cards, a notebook, stationery and packaging. All applications are produced with two special color printing. The exhibition was shown in Tainan, Taipei and Kaohsiung.

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