Graphic

Explore 745 award-winning designs tagged Graphic on DesignAmid Magazine.

Designer: ALICE XI ZONG Work: Visual Design Classification: Graphic

Big Dream

This visual design pays tribute to Asian Pacific American Heritage Month with a blend of traditional and modern styles that captures the essence of classic Chinese art. Nuanced brushstrokes showcase the beauty and depth of this art form. The study exhibits a balance of sophistication and cultural significance that is synonymous with Chinese calligraphy, highlighting its relevance to Asian culture. The design language is timeless, merging art and design to connect to the beauty of the past while forging a path towards the future, in celebration of the Asian Pacific American culture.

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Designer: YITONG CREATIVE Work: Movie Poster Classification: Graphic

Master Ji Gong

Master Ji Gong is a trailer poster for a Chinese animated fantasy adventure film of the same name. The poster measures 750 by 1050 millimetres. Chinese ink and traditional Chinese elements are used to create a poetic and mysterious eastern atmosphere. The dragon and the monk, shown with a red kasaya, a patchwork outer vestment and a palm-leaf fan, are figures from the film and were rendered with three-dimensional software. The ink was made with water and tested on rice paper, hard paper and cloth to compare textures. All parts were then combined digitally.

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Designer: Jonathan Nacif de Andrade Work: Branding Project Classification: Graphic

Evoluwe

Evoluwe is a brand identity created for a customer service consulting firm. The identity uses the initials E and W to express shared and continuous evolution. The symbol is built from three geometric shapes that stand for three stages of the consulting process. A square represents the moment when client needs are understood. The second shape has one rounded corner and marks the start of the transformation. The third shape has two rounded corners and shows the completed evolution. The golden ratio guided the construction, keeping the identity consistent across digital and printed materials.

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Designer: Lin Hai Work: Visual Identity Classification: Graphic

Snow Peak

Recognition is an important evaluation index in logo design. How to use a simple design language to integrate the hotel with the complex and changeable landmark Potala Palace is one of the difficulties in the whole design. The Potala Palace is a holy building in the eyes of Tibetans. Therefore, the design team refined the most representative element pillars as design elements, and created the image of the three-dimensional Potala Palace through two-dimensional techniques, so that the annotation conveyed a strong regional style.

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Designer: Edward Lu Work: Key Visual Posters Classification: Graphic

Coffee Machine

Coffee Machine is a set of key visual posters created for a range of coffee makers. The posters move away from the leisurely lifestyle imagery common in coffee maker promotions and focus on long-standing heritage and German engineering. A beam of light links the past to the present in each scene. Four product series are given four themes: industrial components, technological innovations, global landmarks, and engineering marvels. Gears, circuit chips, miniature architecture and cosmic planets serve as visual metaphors. The scenes were built and rendered in 3D software.

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Designer: Kiyoka Yamazuki Work: Calendar Classification: Graphic

Japanese Kumano Kodo

Japanese Kumano Kodo is a hand-drawn illustration created for a corporate wall calendar. The calendar theme is the old highways of Japan, including the Oshu Highway, the Tokaido, the Sanyo Highway, the Kumano Kodo, the Nagasaki Highway and the Minoji. The Kumano Kodo is a pilgrimage route used since about the year 908 and still walked today. The illustration brings the Nachi Fire Festival and Nachi Falls together in one colorful scene. The artwork is painted with acrylic paint on illustration board. The calendar has six sheets and measures 420 by 595 millimeters.

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Designer: Wei Sun Work: Brand Identity Classification: Graphic

Mohanii

Mohanii is a brand identity created for a fashion label rooted in oriental culture. The logo is based on Latin letters, which give the brand a simple and international tone. The letter M is the core symbol and refers to ink, linking the mark to Chinese calligraphy. Serif forms and contour lines are combined and reinterpreted. The letters M and H are emphasized, while the other letters are reduced, so that visual layers are formed. The symbol can be repeated, broken apart and recomposed, and it can be applied to any medium.

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Designer: EvanChen Work: Infographics Classification: Graphic

About Puer

About Puer is a set of infographic posters about Pu'er tea, a tea rooted in the Yunnan region of China. Each poster measures 500 by 700 millimeters. The series presents the species of the Pu'er tea tree, its ecological features, biodiversity and areas of origin. The functions of Pu'er tea are explained from biological and chemical points of view. Text, graphics, charts and illustrations simplify complex data into a clear structure. The aim is to help the public learn the basics of tea and to share Chinese tea culture with a wider audience.

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Designer: Sejong Center Work: Identity Renewal Classification: Graphic

Sejong Center Rebranding

Sejong Center Rebranding is a visual identity design for the Sejong Center for the Performing Arts, a public institution opened in Seoul in 1978. The identity moves away from the usual logo style of Korean public institutions. Hangul, the Korean writing system, serves as the symbol itself, and the letterforms are combined with musical notation drawn from the six pillars of the building. Custom typefaces, stage staff clothing and a printed book extend the identity beyond the logo. The design joins old and recent forms in one system.

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Designer: Yuanying He Work: Conceptual Illustration Classification: Graphic

Constructing the Intangible

Constructing the Intangible explores memory as a process of reconstruction rather than preservation. Inspired by the ephemeral scent of childhood pomelo flowers, the work employs architectural elements such as cranes, grids, and misaligned stairs to visualize the structure of recollection. Memory is presented as an active act of assembling fragments of the past to construct present identity. Through a restrained structural language, the piece transforms an intangible sensory experience into a visible spatial form.

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Designer: Sang Ryu Work: Poster Series Classification: Graphic

Bee

The Bee series presents bees as an example of the evolution of life, highlighting their defining attributes in sustaining ecosystems to advocate for conservation. Each piece in the three part series personifies a worker bee's key traits through pollination, habitat building, and collective well being. The series is intended for outdoor display to reach commuters in contexts that encourage thoughtful engagement. Ultimately, it aims to invite reflection on human interdependence within ecosystems in reimagining a changing world.

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Designer: Izabela Jurczyk Work: Box Set Classification: Graphic

Tomasz Stanko

Tomasz Stanko Polish Radio Sessions is an album packaging design created for a collection of 39 previously unreleased recordings made between 1970 and 1991. The release contains six vinyl records, a compact disc edition and a 48 page booklet with archival photographs and personal reflections. The visual identity is based on a black and white typographic composition built from the letters of the surname of the musician. Six covers reinterpret one motif and form a modular whole. The packaging is printed in offset and finished with matte lamination.

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