Graphic

Explore 745 award-winning designs tagged Graphic on DesignAmid Magazine.

Designer: Li Xue - Today Design Work: Brand Design Classification: Graphic

Miga

Miga is a brand identity design developed for an electronic cigarette brand. The updated identity refines the typeface and unifies the logo, giving an immediate brand impression. For the Latin letters, stroke ratios and corner angles are adjusted so the logo relates closely to a smile symbol and recalls the outline of melon vines. For the Chinese characters, strokes are combined with the same symbols and the spacing is regulated, producing rounded and readable forms. The vector logo can be printed at any size and used on light or dark backgrounds.

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Designer: Yilin Wang Work: Poster Classification: Graphic

Second Hand Life

Second Hand Life is a poster series about the way people receive fragmented information. The series contains twenty A3 posters, arranged to form one main visual, and is accompanied by a mounted and bound book. Language is turned into visual graphics through binary code, where the symbols one and zero also stand for true and false in logical operations. This link reflects how judgement is shaped by the information that is accepted. The posters and the book ask for closer attention to a social issue, because a fragmented view of information can replace a complete one.

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Designer: Jijing Ju Work: Logo and Brand Classification: Graphic

Dalian Seafood

Dalian Seafood is a brand identity and packaging design for ready-to-eat marine products. The logo and its derivative graphics are applied to a single package, a long pull-out gift box holding three small boxes, and packaging cans. Abstract illustrations are drawn from the features of different sea creatures and arranged in repeated and staggered layouts. Bright color contrasts give the series a fresh appearance. The packaging is digitally printed with a matte finish on recyclable materials, and the pull-out gift box is easy to open.

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Designer: Chunyang Wang Work: Main Vision Classification: Graphic

Inspiration Season

Inspiration Season is the main visual design for a design forum held at an urban creative park in Hangzhou. The park was converted from a former chemical fibre factory, and blue wool yarn was chosen to link the past and the present of the buildings. The static poster measures 841 by 594 millimetres, while the motion poster lasts ten seconds in a vertical format. Real hanging wool was filmed in 4K with a camera and slide rails, then edited, colour graded and composed. The shaking of the yarn expresses the moment of inspiration.

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Designer: HIROSHI KURISAKI Work: Corporate Identity Classification: Graphic

Sparrow Branding

Sparrow Branding is a corporate identity created for a Tokyo-based advertising production company founded in 2020. The identity covers the logo, the main visuals and the stationery. A sparrow, the origin of the company name, is shown with a pine tree as the symbol tree. The concept comes from a story in which a pine tree protects a sparrow from all harm. Real pine branches, arranged by a flower arrangement artist, and a realistic sparrow model were photographed instead of using computer graphics. The visual tone is strong and serious rather than cute.

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Designer: Topys Topys Work: Playing Cards Calendar Classification: Graphic

Pattern Play

Pattern Play is a set of playing cards and a calendar designed to bring color into daily life. The playing cards carry 54 unique illustrations in place of standard suits. The court cards are inspired by kaleidoscopes, while the number cards show irregular patterns and shapes. The cards are printed on 310 gsm waterproof black core stock with a matte finish and rounded corners. The calendar enlarges 12 of the artworks on 250 gsm specialty paper with a tear-off line, so each sheet can also be used as a poster. The design aims to add positivity to ordinary days.

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Designer: Wei Sun Work: Brand Identity Classification: Graphic

Tgl

Tgl is a research and education platform for children. It adopts efficient communication and interesting teaching methods. The logo uses the hummingbird as the carrier of brand memory. It uses simple and pure visual symbols to create a rich and interesting brand image, while creating a differentiated brand IP, which endows the brand with humanized attributes, enabling more interaction with children and establishing emotional connections. The overall use of rich color visual language conveys a lively, youthful and friendly tone.

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Designer: Maria-Luisa Uth Work: Love Letter Classification: Graphic

The Dark Side of The Moon

The Dark Side of the Moon is a love letter telling a traditional Chinese love story. This projects celebrates good old print design with focus on type, illustrations, graphic design and materials. The package of the letter opens and the dark side of the moon becomes visible. The letter is folded like a pocket purse, a folding method from Japan which made its way to Europe in the 18th century and became popular as love letter folding method. The used paper, which can be folded without cracking and which is translucent, lets the two sides of the letter meld when hold against the light.

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Designer: Brand Bar Communications Work: Dynamic Identity Classification: Graphic

It Is In Your Genes

This brand identity was created for a genotyping service, by which predisposition to possible genetic diseases can be detected. Just like the DNA structure, the design concept was also built upon a system of codes, namely specially designed Morse codes representing the letters of alphabet. Any word can be visualized this way, turning a static logo into a dynamic identity. The logo, which is the name of the Client written by the codes, takes the double-helical structure shape of the DNA. This is how the business of the Client is reflected both conceptually and visually in the identity.

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Designer: Little Greta Work: Brand and Visual Identity Classification: Graphic

The Zlin Region

The Zlin Region is a brand and visual identity created for a region in the Czech Republic. The identity is based on a square, and the four corners represent the four historical districts of the region. The square frames the design and also marks where change happens, as forms and letters break out beyond its edges. The colours are black, white, dark yellow and light yellow, and yellow refers to the traditional colour of Zlin. The identity expresses the creative and entrepreneurial spirit of the region and its people.

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Designer: Tangible Design Work: Cinema Visual Identity Classification: Graphic

New 1930

It is expresses the tone and manner of the space in a consistent manner that elevate the efficiency of the brand's communication. It portrays the signage, wall graphic, and pictograms from the wainscoting motif that represents a nostalgic and classic space. Wainscoting is a frame which symbolizes the brand as the platform that brings enjoyable experiences. In addition, the motif is a modern reinterpretation that enables design to be flexible and be applied to various applications.

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Designer: Kimhung Choi Work: Visual Identity Classification: Graphic

Oil Street Art Space

Oi is the visual identity of Oil Street Art Space, a public leisure and cultural venue in Hong Kong. The site occupies the former clubhouse of a yacht club and includes a Grade II historic red brick building with a tile roof and an outdoor area of over 3000 square meters. The name replaces the letter L with an exclamation mark, which calls for attention and points to the location. The logo shape shows the act of calling out loud. Green is the identity color, suggesting an oasis for the arts within the city. The identity is applied to environmental graphics and printed items.

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